簡介：Rumours about a mythical free land sow havoc in an ultra-regulated society where citizens wear paper bags on their heads to dissolve their differences. In this stylish sci-fi animation, a well-oiled system with echoes of George Orwell’s 1984, starts crumbling when whispers of a land where freedom reigns begin to spread. The hero, a fresh council member in love with a free-spirited girl, finds himself involved in a complicated net of incidents that open his eyes to a new reality. Schirkoa: In Lies We Trust is based on Ishan Shukla’s 2016 multi-award winning short and voiced by a star cast including Golshifteh Farahani, Asia Argento, Lav Diaz and Gaspar Noé. Shot using a video game engine geared toward greater innovation and aesthetic control, the film combines 3D and 2D technologies to build cool, sophisticated visuals, architectures with pronounced geometries, and a noirish atmosphere. Shukla revels in classical dystopian topics: a society of control, pervasive brainwashing, amorphous crowds, the impulse toward liberation and the mirrored fear of it. He simultaneously establishes intriguing parallelisms with recent contemporary events – revolts for freedom, civil disobedience and the masked pandemic world. 源自：https://iffr.com/en/iffr/2024/films/schirkoa-in-lies-we-trust

簡介：一則富有想象力的故事，聚焦兩個陌生人和把他們聯(lián)系起來的那趟不可思議的旅行。

簡介：本片改編自同名小說，起點是露伴在取材旅行時造訪的威尼斯教堂內(nèi)的懺悔室。對先人的睿智感興趣的他實際進(jìn)入了懺悔室，但那里本來是神父應(yīng)該在的地方。這時，一個男人為了“告白”而出現(xiàn)。露伴就這樣假扮成神父，傾聽著男人開始講述的25年前的恐怖事件。

簡介：Rata 自愿擠在房間里生活，想出各種陰謀論，并發(fā)布在自己的 YouTube 頻道上。有一天，他目睹了一起可能的犯罪，他的生活發(fā)生了翻天覆地的變化。Rat 會成為他自稱的英雄嗎？

簡介：A scientist engineer at a technology firm specializes in communicating with ‘whispers’ of the recently deceased. After his wife commits suicide, through his exploration of this unsettling piece of newly-developed technology, his research deepens and he finds himself on a dark path becoming increasingly unglued from reality. For once he is through the immortal looking glass, the...

簡介：此片是盧貝松再影壇還沒沒無聞時，憑著一腔熱血，旺盛活力與爆發(fā)力， 突破一切傳統(tǒng)，掙脫一切商業(yè)機(jī)制下的樊籠，冒著無色彩，無對話，無明星等大諱所完成的電影。當(dāng)影片完成時，因宣傳無門，于是盧貝松帶著這部影片參加瑞士阿沃基影展，一舉拿下評審特別大獎及影評人獎，因而打開他的國際知名度。解剖核子戰(zhàn)后的文明廢墟，因為無色彩，所以這是一部黑白色調(diào)的電影。